Archivo de la categoría: Lore&Jun

Lore&Jun for Animac 2012

Publicado el por Michel
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A collective animation project
The Animac’12 festival invited filmmakers Lore & Jun to direct the animation workshop consisting of students from the EAM.

As a final conclusion to the workshop, Lore&Jun shot a video sequence inspired by the different stages in the designing process, once filmed and edited this sequence, students would illustrate each frame in a different style. After the illustration process was done, the directors introduced typographic elements featuring the artists invited by the festival and, finally adding the nice final scene starring Rita, a French bulldog.

The result of this interesting experiment in crowd creation was these colorful credits…

Directed by Lore&Jun
Illustrated by the students of 1st and 2nd year of EAM, Lleida.
Music by Simon Williams

Smile for London – Dusk

Publicado el por Michel
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Smile for London es una iniciativa que trata de convertir las pantallas del metro de Londres en un “digital playgroud” invitando a diversos creadores audiovisuales a realizar piezas capaces de inspirar y emocionar por un instante a esa efímera audiencia en tránsito. Los realizadores Lore&Jun han respondido al reto creando Dusk, una pieza de motion graphics -necesariamente breve dada las características del formato- que se basa en un poema compuesto por Courttia Newland…

Daltonic Times

Publicado el por Michel
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Videoclip for Trujillo‘s album Daltonic Now!, co-directed by Lore&Jun and nomeno.tv :
“Malevich might be be writhing in his grave. Poor thing. The guys from Bauhaus too. And surely some master of abstract art or another. We have plundered infamously in their imagery to create a piece -like almost everything we’ve done lately- almost by chance. Without other purpose than to make useful the endless act of creating images -an almost obscene act in this instagramized world-, of dusting the infinite collection of references and of finishing at least one of the hundreds of unfinished projects that fill up our hard drive, we worked making sense of an absurd combination by its own mean: a high-speed train, an iPhone4, some geometric figures, a daltonic musician and a song. We are very sorry, Vasarely, we tried our best.”